Sales throughout the VIP preview of the inaugural Untitled Art Houston reasonable on Thursday (18 September) were uneven according to exhibitors, though lower-priced operate in certain sold well. Curiosity about Houston and the city’s very first brand-new reasonable in years has getting involved dealers feeling hopeful the occasion will certainly help kickstart a brand-new national gratitude for Space City’s art scene.
Houston was previously home to two other now-defunct art fairs, the Houston Art Fair and the Texas Contemporary Art Fair. The Houston Fine Art Fair preceded, organised by Rick Friedman with Max Fishko on board as an expert. The two had a befalling, according to the Houston Chronicle , and Fishko joined Jeffrey Wainhouse to launch the Texas Contemporary Art Fair. Neighborhood dealerships say the dueling fairs, held weeks apart, fell short to interact to assist accumulate the regional art scene– however lots of Houstonians are positive regarding Untitled Art fair’s access into the market.
“I was very skeptical at first. My heart’s been damaged too many times with art fairs below,” claims longtime Houston dealership Robert McClain, whose McClain Gallery participated in the previous fairs along with the inaugural Untitled Art Houston. “I’ve definitely been happily stunned by the commitment of the fair organisers. This fair has been a driver for a variety of collection agencies who have reached out to us that understood Untitled was taking place. Just the excitement of it appeared to spur them to make decisions on acquiring various other points.”
McClain Gallery sold Life on a Merry-Go-Round (2010 by the Texas-born painter John Alexander for $ 125, 000 during the VIP sneak peek to a Houston-based collection agency, according to the gallery. They likewise put two paintings by Dorothy Hood, a pioneering Modernist Texas musician, for $ 75, 000 each. Houston has always had a solid market for main material by musicians from the region, McClain includes.

Swan Mom (2022 by Clare Rojas at Jessica Silverman’s stand. Politeness Untitled Art
The Houston-based gallery Sicardi Ayers Bacino reported one of the most beneficial purchase of the reasonable so far, a work by Carlos Cruz-Diez that sold for $ 415, 000
The San Francisco-based gallery Jessica Silverman placed a version of Clare Rojas’s figurative bronze sculpture Swan Mother (2022 for $ 150, 000, according to the gallery. The work is featured in the fair’s Unique Presentations section. At the gallery’s stand, it reported marketing a 2025 acrylic-on-cardboard work by Andrea Bowers for $ 38, 000, Infinite Cat’s Whispers (2025 by Masako Miki for $ 20, 000, as well as Balance (C. 9 (2025 by Beverly Fishman for $ 55, 000 and 3 versions of a 2025 tapestry by Rupy C. Tut for $ 20, 000 each.
Philip Martin Gallery from Los Angeles says it offered a painting by Skies Glabush for $ 25, 000, while Stems gallery, initial founded in Brussels, offered a Olivier Souffrant paint for $ 24, 000 The Manhattan-based supplier Hollis Taggart sold three paintings by Tim Kent; one for $ 32, 000, and the various other two for $ 12, 000 each.
The Los Angeles-based gallery Megan Mulrooney offered out its stand of paints by TJ Rinoski and Mason Owens, priced between $ 2, 500 and $ 6, 000, and $ 2, 000 and $ 8, 500, specifically, according to the gallery. Just 2 weeks ago, the gallery had a likewise successful outing at The Armory Program in New york city, selling out its stand of works by the San Antonio-born musician Piper Bangs. (Last week, the gallery opened a solo show at its Hollywood head office dedicated to the Austin-based painter RF. Alvarez.)
“I’ve constantly been a Texas follower. I show a lot of Texan artists,” Megan Mulrooney states. “I had always had actually wonderful links with enthusiasts below in Houston, as well as terrific art advisers, which I believe is essential to the city. There are significant collection agencies below who go to all the fairs. So it really made [Houston] a location that I was truly interested in.”
The Houston-based gallery 7 Siblings reported offering two mixed-media paintings by Daniel Rios Rodriguez throughout the VIP sneak peek. One went to Bay Area collectors for $ 7, 000, the various other to a Houstonian collection, through a neighborhood art adviser, for $ 6, 500 The gallery claims it also offered a job by the Houston-based carver Jamie Sterling Pitt for $ 2, 800
Time for a holistic consider Houston

Megan Mulrooney’s stand at Untitled Art Houston. Politeness Untitled Art
The brand-new fair “really feels actually vivid, like all the common suspects are out, however likewise an actually wonderful choice of regional managers”, states Seven Sisters director Erin Dorn. “Having simply come off the heels of [The Armory Show], a lot of curators and auction residence people from Los Angeles and New york city are curious concerning just how this will certainly unfold. That inquisitiveness is beginning a lot of intriguing discussions, and enthusiasm for an extra all natural check out the Houston art scene.”
Suppliers throughout the board mentioned Houston’s variety as a stamina for its art scene, enabling musicians to access a wide selection of influences. Several additionally said the city’s large range of innovative exhibit areas and well-known absence of zoning regulations makes it less complicated to produce and reveal non-traditional work here.
“You can open up something and perhaps not have all thr planning or allows that you need to (in various other cities),” Dorn states. “It’s that sort of wildcatter point that Texas is recognized for, right? You develop it and then you apologise later on. A great deal of business people in Houston have that self-confidence.”
The Houstonian art advisor Lea Weingarten called the city “a perfectly concealed”.
“People stereotype us as being a common southern city, but we have treasures like the Menil Collection, the Museum of Arts, Houston and we have a kunsthalle in the Contemporary Arts Gallery Houston,” she states. “As a cultural destination, we are just one of minority cities in the nation that has symphony, ballet, theater and galleries.”
But a part of Houston’s “secret sauce” is its ability to bring in solid, arising skills many thanks to a plethora of varied locations to show, a strong philanthropy scene that is helpful of artists and a much more affordable price of living contrasted to seaside art centers like New York and Los Angeles, Weingarten claims. Houston’s art market has additionally been able to weather the global art market recession fairly well, probably aided by the area’s diverse economic climate, she claims.
“Here in Texas, we have actually truly been strong, we’ve never really had that dip. And in regards to why people come here, I assume that they’re picking up the marketplace,” Weingarten claims. “People are investing money. They are building homes, they are paying engineers, they’re paying interior developers and they’re paying art advisers, which suggests that we have the ability to support them.”

Guardians of Stories and Land (2025 by Joya Mukerjee Logue. Courtesy Rajiv Menon Contemporary
Rajiv Menon, who matured in the Houston area prior to starting his eponymous gallery dedicated to South Oriental artists in Los Angeles, says he marketed a massive painting by Joya Mukerjee Logue to a Texas-based enthusiast for $ 30, 000, in addition to seven paints by Mustafa Mohsin varying in rate from $ 1, 200 to $ 10, 000
Programming the ideal party
The fair’s supervisor, Michael Slenske, was charged with arranging the fair’s exhibitors, landing on 88 suppliers from 22 nations, with almost one quarter coming from Texas. This year’s participants vary from developed New york city City galleries headquartered in Chelsea to young, scrappy Houston suppliers.
“You desire an art fair to have the curation of a great celebration,” Slenske claims. “You do not desire everyone to be at the same level, and you do not want everybody to be from the same area. You desire individuals to find right here and find new things, so it has to do with exploration.”
Colector, a gallery hailing from Monterrey, Mexico with spaces in Dallas and Houston, sold nine work with paper by the local artist Angelbert Metoyer for $ 7, 000 each. The collection of 14 works featured on the gallery’s stand was appointed particularly for the fair to “give the chance for new collectors to grasp”, says Jesús Alberto Flores, the gallery’s supervisor.
Generally, Untitled Art Houston exhibitors bringing a lot more economical jobs and smaller pieces reported a greater quantity of sales. This vibrant aligns with the findings of one of the most current edition of the Art Market Report released by Art Basel and UBS, which located that sales of works priced under $ 50, 000 boosted by 8 % year-on-year in 2024, regardless of overall worldwide sales of art visiting 12 % over the very same period. Nonetheless, not all dealerships reported successful sales during Thursday’s preview; some claimed the fair’s format, designed with twists and turns to urge site visitors to discover all the stands, kept some attendees from going to the exhibitors placed in the back. Others claimed they had counted on remote sales arranged before the reasonable to relocate stock and were not as effective in-person during the VIP preview. Dealers were confident sales would certainly proceed over the weekend break, not unlike the slow melt speed that’s common down the road at the Dallas Art Fair
The Untitled Art fair’s creator Jeff Lawson initially begun looking at Houston for a growth as much back as 2013, yet he and Slenske began seriously evaluating the city to prepare for the fair 3 years earlier. The art market was in a really various place after that.
“It makes us a lot more sensitive to the galleries’ needs, to talk with them more, to deal with them carefully, to really listen to what it is that they require, and do the best that we can to support them,” Lawsons claims of the decline in the marketplace since the speculative boom of 2021
Slenske states the strategy is to hold the reasonable once more next year in the same venue, the George R. Brown Convention Facility downtown, and assist accumulate the city’s framework.
“This is an artist’s town greater than any area in Texas,” Slenske states. “It’s the last city of this range to not have an art week, and I believe that’s an oversight. The degree of curators and artists in this city could stack up against a lot of art resources.”
- Untitled Art Houston , till 21 September, George R. Brown Convention Facility, Houston